Fuck you, The Flame and the Flower

Pardon my French. But really, The Flame and the Flower, fuck you.

I was reading snippets of Social Sister’s copy of Beyond Heaving Bosoms, which she got for Christmas, and it mentioned that the romance novel genre was kicked off by this one book, The Flame and the Flower. And I am interested in the ways genres develop, and I read and enjoyed Forever Amber a few years ago, so I decided to read The Flame and the Flower. I told this to Mumsy and she said I wouldn’t like it, but I didn’t believe her. I also had this conversation:

Jenny: I’m going to read The Flame and the Flower. I expect it will be extreeeeeemely rapey but I shall press on.
Captain Hammer: Well, how else would you know who the bad guys are?

I thought Captain Hammer was the naive one in this conversation, for thinking the rapist would be the book’s villain. But in fact I was nearly as naive as he was in my wild underestimation of the rapidity with which the rapeyness would commence. I was swiftly disillusioned. Like, 28 pages swiftly. No lie.

My notes for this post are massively indignant, because as I was reading and jotting down notes, I started noticing more and more things that pissed me off. A third of the way through reading it became clear to me that there wasn’t going to be any actual flames or actual flowers, and that the title in fact referred to the hero and heroine, respectively. That just couldn’t be any worse. In fact many things about this book just couldn’t be any worse.

Apparently Kathleen Woodiwiss gets praised for writing strong heroines? Says Wikipedia? How can that be? Heather, the “heroine” of The Flame and the Flower, decides to help bathe her husband so he won’t rape her quite so hard because she’ll be a dutiful wife or something. And then she’s sad that she’s such a coward. Heather, we are all sad about that. But for, like, five hundred pages. In the first sixty of which, be it said, Heather gets raped like four times and her mean aunt inexplicably rips her clothes off in front of a bunch of people to reveal her nakedness. The book talks about her nakedness a lot. She’s always trying to cover up her breasts because all her clothes are badly fitted and/or translucent so she’s constantly popping out of everything. Oh, and also? The “hero”, Brandon, tells her he’s going to teach her about pleasure, but the book’s from 1972 so he just means, like, nipple-tweaking. Heather’s not that into it but she’s too scared to tell him so because he flexed his jaw muscles and she finds that very frightening. I can’t even begin to tell you how unsexy the sex scenes are.

The cardinal sin, though, is that the whole book’s boring. I will forgive a book many many flaws if it’s got an engaging plot. Forever Amber had many of the same problems with gender issues, and rape specifically, although at least Amber did things on her own initiative and made everyone uncomfortable by wearing too-sexy clothes. But Forever Amber was so over-the-top packed full of plot that I hardly cared. The Flame and the Flower is sooooooooooooooooo boring. Even describing the plot points, predictable and idiotic as they are, makes them sound more interesting than they actually are. Heather gets kidnapped off the streets of London after accidentally killing her uncle, and as I was reading that part I was like, yawn, ho hum, when are we going to get some action up in this book? There’s no reason for that. Really. A murder and a kidnapping in quick succession should not face heavy competition for the reader’s attention from the motionless cows the reader can see out of her car window.

How, how, how is this the book that launched a thousand rapes? How did anybody read this book and say, Wow, this book’s so great it should be a whole genre? It’s so relentlessly boring and awful. It’s awful and it’s boring. Everyone in it is awful and boring. Everyone! If you ever think some character is going to be unawful and unboring you can think again, because I promise you they will turn out to be awful and boring in the end.

If you’re wondering why I bothered carrying on in this ranty way about a book that was published in 1972 in a genre that has moved miles past this rapey bullshit, I will explain that to you right now. It turns out Kathleen Woodiwiss is from Louisiana. Her and her rapey historical romance novels are apparently my state’s fault.

Fuck.

You.