Dream Country, Neil Gaiman

Evidently the stress of writing a nice coherent plot in The Doll’s House proved temporarily too much for Neil Gaiman, and he took a break to write some single-issue self-contained stories.  And these are some damn good stories.  Except I don’t like “Façade”.  I remember not liking it so um, I sort of skipped it this time.  I know!  I could read “24 Hours” but not “Façade”?  I don’t know what’s wrong with me.

No, actually, I know exactly why I did that.  Lately I’ve been getting ready for bed around eight, then lying in bed reading for several hours.  I collect three or four books that I might feel like reading, climb up onto my bed (it’s a loft bed, so once I’m up there, I’m generally too lazy to come down before morning), and read until I can’t keep my eyes open anymore.  And last night, when I was reading Dream Country, I had Season of Mists sitting enticingly on the pillow.  So when I got to “Façade”, I just couldn’t stand the idea that there was this one story – a story I don’t even like – standing between me and the first issue of Season of Mists, probably my favorite single issue from a complete storyline (as compared with the self-contained stories), because I love it when the Endless all get together and hang out (though I hate how Delirium is drawn in this one).

Now I feel guilty.  I will probably go back and read “Façade” this evening, out of guilt.

Anyway, the other three stories are very, very good.  I like “Calliope” the best.  It’s not that I don’t like the other two – I do – but I just like “Calliope” way the best.  “Dream of a Thousand Cats” is a smidge too – I don’t know, I think it takes itself a tiny bit too seriously, considering how whimsical a story it is.  And “A Midsummer Night’s Dream” is gorgeous and delightful, and no wonder it won a prize, but I am not in love with Sandman’s treatment of Shakespeare.  I love Shakespeare.  AND HE WAS NOT FRANCIS BACON AND HE DID NOT MAKE A DEAL WITH DREAM AND HE WAS A GENIUS BY HIMSELF OKAY?

Calm down, Jenny.

Anyway, I think “Calliope” is great.  I adore the brief one-panel vignettes you see of Richard Madoc – chatting up a girl at a party and telling her he does consider himself a feminist writer – then going home to the woman he’s keeping prisoner so he can be a genius.  And as well, this story casts Dream in a better light than we’ve really seen him.  His last two encounters with women haven’t been nice: condemning Nada to hell forever and ditching Lyta Hall all pregnant and despairing.  I’m always glad to see him being helpful to Calliope and screwing up Madoc’s life permanently – though without the vindictiveness I would have expected.  (This is change on his part.  Watch how it will remain a theme.)

Next up: Season of Mists.  I love Season of Mists.  It was my favorite for a few weeks in June 2004, and although I now like other volumes better, this one still holds a special place in my heart.

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2 thoughts on “Dream Country, Neil Gaiman

  1. See, I think “Dream of a Thousand Cats” is INTENDED to come off as taking itself too seriously despite the premise. Aside from the tiny kitten whose name I can’t remember, the narrating cat who calls together her bretheren to discuss revenge against the humans is the only one who earnestly believes that dream sharing will reverse the emotional damage she sustained when her children were drowned. I think Gaiman uses the crowd of skeptical cats to sort of temper any possibility of delving too deep into pretentiousness. But I’m biased because it’s one of my favorite stories in the parts of the “Sandman” series that I’ve read…

  2. You might have a point – maybe I’ll reread it this evening with that in mind. The shorts in “Dream Country” are very good, but there are some in “World’s End” and “Fables and Reflections” that are even better. Wait and see!

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